1987: Axa

Axa (1987) #1-2 by Enrique Romero, Chuck Dixon et al.

What’s this then? Axa? Isn’t she a British comic strip figure?

Heh heh. I like the reverse perspective on the inside front cover.

But anyway, yes, indeed, Axa is the character created for the British tabloid The Sun. Romero had previously illustrated Modesty Blaise for more demure newspapers, but with Axa Romero apparently was instructed to create a series with maximum tits and ass (both of which he is adept at drawing), so he created a post-apocalyptic heroine who runs around naked in the wilderness most of the time.

That’s OK in British newspapers, but this was too risque for the mainstream American comics market, so Ken Pierce Books (who had been collecting the comic strip in trade paperbacks) published a more toned-down version in 1987, written by American writer and Eclipse mainstay Chuck Dixon.

Eclipse had had a long association with Ken Pierce, with editor-in-chief catherine ⊕ yronwode working as his assistant in the 70s, and later with Eclipse distributing some of his books, and selling most of his books by mail order. I haven’t covered the Ken Pierce books in this blog series at all, because they’re somewhat out of the remit, but I changed my mind on this series. It’s got the Eclipse logo, after all, and is very… Eclipse-like.

I haven’t read any Axa strips in, oh, decades. In the 80s, they were lethargically reprinted in European anthologies (a lot of them), but never seemed to get much respect. Might have been all the obvious pandering: At any point in any storyline, Axa’s scanty clothes would go missing. But if I remember correctly (and I may very well not), the stories just weren’t much cop, either.

So I have no idea whether Dixon is just following the “official” backstory here, or is trying to give the characters some more depth than they had originally.

Romero has some difficulty in drawing action/drama scenes, because his go-to poses all seem to come from porn magazines.

Hm… The villains in the first issue are called ‘The Engineers’, but whenever they’re mentioned, the lettering looks kinda wonky. I wonder whether they were originally called something else, and then changed after the book had been lettered?

Oh, Pierce had published more than 100 books by this time? I don’t think Eclipse distributed them all… That’s quite a range of comic strips, from Buck Rogers to Modesty Blaise.

Looking at lists like this makes me want to read them all, but that’s probably not a good idea, time management wise.

In the second issue, Dixon provides another introduction of the Axa universe, which is… rather… superfluous. It’s not a very complicated setup.

By the way, the first issue was presented as being published bi-monthly, and then four months later, the second issue says that it’s a quarterly.

“It is our duty to watch.” I wonder whether Dixon was making a comment on the genre.

And then it’s over, announced by the traditional cliffhanger ending and “NEXT”.

These comics apparently didn’t make much of an impression in the US in this format, either, but they’re OK reads, really.

Here’s Gary Groth on Axa, sort of (during his rant about how awful Eclipse is):

t would be funny if it weren’t so tragic. I mean, it looks like Eclipse will publish anything that looks like it has even the slightest chance of turning a buck.

[…]

Or standard T&A offal like Axa and Alien Encounters. (The whole point of Axa, by the way, as seen on virtually every page of the Ken Pierce reprint series distributed by Eclipse, was to contrive ways to rip the heroine’s shirt off. Eclipse has announced that its Axa color comic would clean up its act with a PG version. In other words, the whole sleazy raison d’être of the strip has been skewered. If there’s such a thing as corrupting the integrity of a sleazy idea, Eclipse has done it.)

Zing!

One thought on “1987: Axa”

  1. >> I haven’t read any Axa strips in, oh, decades. In the 80s, they were lethargically reprinted in European anthologies (a lot of them), but never seemed to get much respect. Might have been all the obvious pandering: At any point in any storyline, Axa’s scanty clothes would go missing. But if I remember correctly (and I may very well not), the stories just weren’t much cop, either. <<

    If you had read Axa I in one of those endless European reprints you would have known that Axa’s nudity is 100% natural and feminist-proof: as an escapee from Dome City she literally sheds her clothes in the first pages saying they remind her of prison and restrict/suppress her freedom (and likely clothing also limits her much needed survival action movements).

    So, the main question with Axa is not how she manages to lose her top and soon also her loin cloth half the time, but why she continues to bother to put it on again? It must have cost her half her life finding these back all the time, she’s such a slob I can imagine a parody which has her looking for top and cloth half the time, if only I could draw … Anyway, I never found the answer to these important questions and dilemmas.

    I was surprised to read that you thought Dixon tried to give the character more depth. I felt he made Axa truly treadmill, going from a rollercoaster of outrageous movie & comic book clichés into lame child proof plots.

    Anyway, those are just some thoughts, you made a wonderful page here. I read it with pleasure all the way to the bottom! Thanks for that, the WOLF!

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